Giveaway · Romance Tropes · Roundup

Childhood Sweethearts (+giveaway)

Childhood Sweethearts + giveawayWhat’s your favorite trope within CCR? I see this question asked a lot, and I have to admit I am one of those people who can’t choose a favorite ANYTHING to save her life. I mean, in all the breadth of the whole world, why would I limit myself? I do find myself drawn to some more than others, however, and one of my top ten favorites is childhood sweethearts.

Here’s how I’ll define childhood sweethearts, in case you’re wondering: a couple who knew each other as children/young teens and either one or both experienced a strong affinity for the other.

Best friends? Counts. Childhood crush? Definitely counts. Next door neighbors sweet on each other? Totally counts.

As you can see, I might be a little liberal in my definition of childhood sweethearts. But considering a little quick research (thanks to DuckDuckGo) reveals that only about 2% of the population marries their childhood first love and the numbers aren’t much higher for marrying a high school sweetheart, there’s got to be more to the story than two kids who’ve loved only each other most of their lives.

Perhaps that’s what makes childhood sweethearts such a wonderful trope—how well it pairs with others. Think about it. Second chance romances, reunion romances, marriage of convenience, friends to lovers… and that’s not even factoring in the various subgenres like cowboy romance, Southern romance, etc. The options are fairly limitless and equally appealing.

I’ve written a number of friends-to-lovers type books (and read a gazillion more), but childhood sweethearts is something I’ve only played with a couple times in the past year or two. I have to say, though, it’s a lot of fun keeping each story unique!

For example, in This and Every Christmas (which released individually on Oct 1), Noah and Clari met several times as kids. It was fun crafting vignettes in which their annual meetings were memorable enough they’d recognize each other years later. I got to pair this novella with the single dad trope, throw in a tree farm and a music teacher, all under the umbrella of the Christmas romance subgenre.

The sequel to this tale is coming up at the end of the month in the 2021 Christmas Lights collection Home for Christmas (eBook) and individually (paperback) October 26. Now and Forever Christmas is technically a friends-to-more/second chance romance, but since they were young teen sweethearts, I think it sort of counts.

I’m kind of loving this trope right now, if you can’t tell. The third sister will get her HEA in 2022 with Not Another Christmas, but for that one I’m twisting the childhood sweethearts into childhood enemies who gradually discover more. I’ve never done enemies-to-lovers, but that is one of my top five favorite tropes, so I’m kind of excited to finally write one.

And of course, I can’t forget to talk about Braver With You, which is in the upcoming Save the Date collection. I’m sure you’re tired of hearing me talk about this one (LOL! we’re in the home stretch, people!), but I’m really attached to Ashlyn and Conrad. This is the purest (as in, closest to the definition of) childhood sweethearts story I’ve written… or read for that matter, now that I think of it. They’ve only ever loved or dated each other and never faced a potential breakup. From their first pretend wedding as kids to the one they’re stressed over now, there’s never been a doubt in either of their minds that this was forever. These guys are the 2% statistic who defy the odds, and I adore them. Just because they’re sweet, though, doesn’t mean there isn’t trauma or chaos on the horizon they have to work through!

Have I enticed you to check out more of this fun trope? I hope so. And because I love contributing to your already out-of-control TBR pile, I’ve got a great list of other titles in CCR for you to choose from!

Starting with a randomly assembled list from several Inspy Romance authors and a couple others just because I can:

Okay, I’m letting the list get away from me. I know many more of our IR authors and CCR favorites have titles that fall under the “childhood sweethearts” heading, so I will leave the rest to YOU to put in the comments so I can add to my own out-of-control TBR. Influence away, my friends. Tell me why the title you’re commenting with qualifies! At the end of the week, one lucky commenter will be selected at random to win an eBook of their choice between This and Every Christmas or Braver With You (an ARC). Looking forward to reading your comments!

*As an Amazon associate, I may receive a small commission from any links clicked in the lists above.
Author Thoughts · Giveaway

Tragedy and Romance (+giveaway)

I’ll be the first to admit I tend to lean toward uncomplicated, happy romances by default. Like bacon and cheese, such books make up the majority of my dietary preferences, literarily speaking. However, these aren’t the books I savor. They aren’t the ones to win awards and acclaim and get talked about nonstop.

I could be way off base, but it seems to me those spaces in our hearts tend to be reserved for the tragic tales. Now, since we here at Inspy Romance focus on CCR, we’ll stick to that genre, which means certain rules apply to our tragedies. They still require romantic love that ends happily and threads of faith (whether overt or subtle) that lead to characters overcoming whatever tragedy or trauma stands in the way of that happy romantic ending.

Now that the parameters are in place, let’s talk about why we love sad stories. We could get technical and talk about catharsis and endorphins and bio-chemical responses, but that might bore you to tears. Instead, let’s talk about it purely from a human experience standpoint.

As readers, we all know how books make us feel things, how reading makes us more empathetic. There’s no avoiding tragedy as part of the human experience. We all experience it on some level at some point in our lives. Considering we were created for connection, it makes sense that reading others’ experiences builds that connection as it allows us to see through someone else’s point of view.

Why am I thinking about all of this?

A few reasons. If you’re part of my email list, you’ll know we’ve faced several losses recently both in my family and in the reading community (including the heartbreaking loss of fellow author and former IR blogger Marion Ueckermann). I also read a few posts recently comparing people’s reading tastes pre-covid, height of covid, to now. It’s been interesting to see how many chose primarily comedies versus how many actually preferred tragic stories. I read one person’s comment that she walked away from tragic stories, specifically romances with an HEA, with a fresh outlook and appreciation for life.

What do you think? Do you ever go through phases where you just need to read something sad? Do you still want the tale to end happily?

I’m curious about your answers, truly!

Last week I reread one of my novellas from last year, This and Every Christmas, (which I’ll be releasing individually here in a couple of months) in preparation for writing its follow-on book for this year’s Christmas Lights Collection. I set out to write a story that was light and happy and Hallmark worthy, but as it progressed, I was hit with loss after loss for my poor hero. I never would’ve imagined readers would connect with a story in which three key people in his life die within the span of a few chapters, yet I’ve been hearing over and over again it’s one of their favorites. (You can’t see my shoulders shrugging, but trust me, they are.) It made me wonder.

And then there’s a major tragedy that sets the foundation for my entire novella Braver With You in the upcoming Save the Date collection. I had no idea when I started writing Ashlyn and Conrad’s childhood sweethearts story that such heartache would be the basis of not only her backstory, but his! I won’t spoil the details (though I do hope you’ll pre-order your copy of the collection for only 99¢ and then leave us a review with your thoughts) but writing the trauma she experienced as a little girl and understanding how it impacted every significant person in her life was eye-opening for me as a writer.

Life is hard, loss even harder. Perhaps that’s why we connect so well to characters who’ve faced things we have or worse. Maybe it’s finding hope for ourselves in the hard times, even when our only example of coming out the other side is a fictional character. I’m not exactly sure, but it’s definitely worth spending some time contemplating.

So I’ll let you contemplate, then you can leave a comment below to share about whether or not you connect best to characters who’ve faced tragedy or trauma and why you think that might be. I’d love to read your responses to my above questions. And then just to lighten things up, I’ll choose one random commenter to receive an advance review e-copy of Braver With You OR This and Every Christmas, winner’s choice. Also, if you have any great book suggestions for CCR titles in which characters face and overcome tragedy, I’ll give you an extra entry into the giveaway!

Until next time, happy reading (or not)!